I saw the new Olivia Wilde film – THE INVITE – at an industry screening a few nights ago. She’s a very interesting filmmaker. I absolutely adored her debut – BOOKSMART, but during the making of her second film – DON’T WORRY DARLING – I heard she had some unfortunate production issues (which meant recasting and reshooting major roles) and the final film while OK, felt a bit compromised. I guess she must have felt a bit burned by the experience of working on a studio picture, because for THE INVITE, she’s gone back to a small indie production ethos. And the results seem to be worth it as it’s a great movie.
A very simple, classic setup where a neurotic dysfunctional couple – played by Olivia Wilde and Seth Rogen – have invited their new upstairs neighbours (Edward Norton and Penelope Cruz) to dinner. The couple turn out to be harbouring some really rather surprising revelations and the film becomes a fascinating and very funny dissection of both couple’s relationships.
After the screening, there was a Q&A with Olivia Wilde and Ed Norton where they talked about the production process. Based on a Spanish film – THE PEOPLE UPSTAIRS, by. Cesc Gay – It was shot on film and – crucially – it was filmed in order, from start to finish, which allowed a lot of room to adapt the story as shooting progressed. Some of the funniest lines and comic moments in the film came from the spontaneous nature of the filming. I got the impression that it was very much an actor’s movie, with a strong link to theatre performances. The single location and limited cast meant more creative risks could be taken (most studios would balk at the semi-improvisational style of production and would insist on a finalised script before signing off the production costs – haha not that that always happens!!)
Anyway. Great movie. Has something of a classic 60s/70s indie vibe to it. A bit Mike Nichols, which is no bad thing. Recommended.
